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The Magen David (Shield of David, or as it is more commonly known, the Star of David) is the symbol most commonly associated with Judaism today, but it is actually a relatively new Jewish symbol. It is supposed to represent the shape of King David’s shield (or perhaps the emblem on it), but there is really no support for that claim in any early rabbinic literature. The symbol is not mentioned in rabbinic literature until the middle ages, and is so rare in early Jewish literature and artwork that art dealers suspect forgery if they find the symbol in early Jewish works.

victoria beckhams tattoo This is the Hebrew on Victoria’s back (from top to bottom across her neck and back, read from right to left here: It’s a quote from Song of Solomon 6:3.

Ah-NEE le-doh-DEE – Ve-doh-DEE LEE

Ha-roh-EY ba-shoh-sha-NEEM

Here is a translation (a girl speaks):

I am my love’s
and my love is mine,
who browses among the lilies.

(Song of Solomon 6:3)

i-am-for-my-beloved and my beloved is for me hebrew tattoo

Nazi World War Two Holocaust Concentration Camp Tattoos

Compiled by Joshua Andrews


There is no denying that…

…In the beginning of World War Two, the German Nazis began a systematic process of purging all of the territories in its control of a long list of un-desireables, according to their definitions. Jews were not the only victims; millions of people other than Jews of various other backgrounds and religions and beliefs and orientations were systematically rounded up and slaughtered by the Nazis.

If the un-desireable/s were not killed immediately by summary executions they were sent to camps for slave labor or worse. We know this to be an irrefutable historical truth because of proofs exist like thousands of testimonies of the victims who survived, witness testimonies, the German Nazi’s damning records, film and photographic footage and the actual sites.

It is a matter of irrefutable historical fact that the German Nazis built many camps whose sole purpose was to be industrial sized factories of slave labor and death. We know that this is absolutely true because of things like thousand or so testimonies of the victims who survived the horrors, witness testimonies, the German Nazi’s damning records, Allied classified documents recently unclassified, film and photographic footage and the actual sites.

In fact, here is film footage taken from World War Two from a concentration camp where young, presumably Jewish children were tattooed. The actual tattooing done in the camps is explained a few paragraphs farther down.

The reason why I wrote this article is because their are allegations and strongly held opinions by people within the tattoo world as well as outside of it, that claim that the Holocaust never happened or that six millions plus Jews never were murdered or that the number is grossly exaggerated. The deniers will rationalize that the video footage above as irrelevant evidence that was forged or misidentified. These allegations that the Holocaust did not happen or that less than many millions of Jews were murdered in an industrial manner, are absurd to the point of criminal malice because of the sheer volume of evidence that exists besides one youtube video. However the absurd has reached epic, Borat proportions because if you have not heard the President of Iran Mahmoud Ahminijiad, publicly questions the Holocaust from public, government sanctioned podiums, inferring that the entire post-war Governments of Germany and the Allies have been lying en masse for the last sixty years, unbelievably. One has to ask in leu of the irrefutable fact of the Holocaust, why are people so aggressive in their denial of the Holocaust?

Need it be stated again that millions of people other than Jews of various other backgrounds and religions and beliefs and orientations were systematically rounded up and slaughtered by the Nazis? Jews were not the only prisoners who bore SS tattoos. Homosexuals, the mentally ill, Soviet prisoners of war, Poles, Communists, Jehovah’s Witnesses, blacks and the Roma were also tattooed in forced labor concentration camps. Only ethnic Germans and police prisoners escaped the degrading registration tattoos.

When the President of Iran, perhaps you, or someone that you know, or anyone else for that matter questions whether or not the Holocaust really happened or if six million plus Jews were really murdered, the inherent result is that the tens of millions of non Jewish victims of the Austrian-German terror machine are thus disrespected and dishonored, and that is not just anti-Semitism but anti-humanityism.

The phenomenon of History revision and Holocaust denial and even irrational Anti-Semitism must be called out for what it is, which is Anti-Humanity. It is unacceptable and has no place among civilization.

We often hear the number six million Jews stated over and over and over, but what you are not aware of is that one of every three Jews on earth was hunted down and murdered. The scale of the atrocity is simply unparalleled in history. What you are also likely not aware of is that entire, ancient clans and dynasties of Gypsies and other ethnic groups were completely and utterly, ruthlessly exterminated and were left without anyone left alive to honor their memory. They are forgotten by everyone and yet disgusting people like the President of Iran and anyone like him deny how they died, adding insult to the atrocity.

The President of Iran and others want proof? Six computer hard drives bearing electronic images of 20 million pages and 17.5 million names on file are arriving to the U.S. Holocaust Memorial Museum in Washington. The Hard Drives hold the scanned German Nazi paper files that the papers were gathered by the Allies after the war and stored in a disused SS barracks in Bad Arolsen, never to be seen by anyone really until now. The records were kept locked up and unseen until now because it took fifty years for all of the Allied nations to meet and agree and amend their international agreements signed at the end of World War Two.

CBS Television 60 Minutes, recently did a episode on the explosive, self-incriminating archive. The archive is is damning evidence proving that more than six million Jews and over ten million non Jews were indeed murdered.

http://www.cbsnews.com/video/watch/?id=2274705n

Watch CBS News Videos Online

The Evolution of Tattooing in the Auschwitz Concentration Camp Complex
By George Rosenthal, Trenton, NJ
Auschwitz Survivor, based on documents obtained from The United States Holocaust Memorial Museum

For many, the blurred blue lines of a serial number on a forearm are an indelible image of the Holocaust. The tattoos of the survivors have come to symbolize the utter brutality and of the concentration camps and the attempt of the Nazis to dehumanize their victims. The tattoos are also a testament to the resilience of those who bear them. Yet despite the importance of the tattoos, as testament, symbol, and historical artifact, little scholarship has been devoted to the subject. There exist virtually no official period documents relating to the practice; what we know stems from anecdotal evidence contained in camp records and the accounts of those who were at the camps.

The Auschwitz Concentration Camp Complex (including Auschwitz 1, AuschwitzBirkenau, and Monowitz) was the only location in which prisoners were systematically tattooed during the Holocaust. Prior to tattooing, several means of identifying prisoners, both by number and by category, had been implemented; serial numbers were the main method. When they arrived at the camp, prisoners were issued serial numbers which were then sewn to their prison uniforms. These serial numbers were most often accompanied by different shapes, symbols or letters which identified the status, nationality, or religion of the prisoner. This practice continued even after tattooing was introduced.

The sequence according to which serial numbers were issued evolved over time. The numbering scheme was divided into “regular,” AU, Z, EH, A, and B series’. The “regular” series consisted of a consecutive numerical series that was used, in the early phase of the Auschwitz concentration camp, to identify Poles, Jews, and most other prisoners (all male). This series was used from May 1940-January 1945, although the population that it identified evolved over time. Following the introduction of other categories of prisoners into the camp, the numbering scheme became more complex. The “AU” series denoted Soviet prisoners of war, while the “Z” series (with the “Z” standing for the German word for Gypsy, Zigeuner) designated the Romany. These identifying letters preceded the tattooed serial numbers after they were instituted. “EH” designated prisoners that had been sent for “reeducation” (Erziehungshäftlinge). These prisoners had either refused to work at forced labor or had been accused of working in a manner that was not found satisfactory. They were sent to the concentration camps or to special “Labor Education Camps” (Arbeitserziehungslager) for a specified period of time not to exceed 56 days. Initially their serial numbers belonged to the regular series; in February 1942 a separate series was instituted for the EH category and their old registration numbers were reassigned.¹

Women were not issued numbers from the same series as the men. The first female prisoners arrived in March of 1942; they were issued numbers in a new “regular” series, just as the men had been. As the number of female prisoners brought to the camp escalated, new number series were started in the respective categories.

In May 1944, numbers in the “A” series and the “B” series were first issued to Jewish prisoners, beginning with the men on May 13th and the women on May 16th. The “A” series was to be completed with 20,000; however an error led to the women being numbered to 25,378 before the “B” series was begun. The intention was to work through the entire alphabet with 20,000 numbers being issued in each letter series. In each series, men and women had their own separate numerical series, ostensibly beginning with number 1.

There were, however, many exceptions to this rule and the extant information regarding serial numbers is but one of the tools for determining the number of prisoners that came through the Auschwitz camp complex. Prisoners selected for immediate extermination were virtually never issued numbers, and many Soviet prisoners of war and police prisoners (Polizeihäftlinge)* sent from the Myslowice prison due to overcrowding² were not registered.

It is generally accepted that the tattooing of prisoners began with the influx of Soviet prisonersofwar into Auschwitz in 1941. Approximately 12,000 Soviet prisoners of war were brought to and registered in the Auschwitz concentration camp complex between 1941-1945; most arrived in October 1941 from Stalag 308 in Neuhammer. They retained their army uniforms, which were painted with a stripe and the letters SU (Soviet Union) in oil paint. In November, a special commission led by the head of the Kattowitz Gestapo, Dr. Rudolf Mildner, came to Auschwitz. Following the guidelines of an operational order of July 17, 1941, the Soviet prisonersofwar were divided into groups described as “fanatic Communist,” “politically suspect,” “not politically suspect” or “suitable for reeducation.” After a month’s work, the commission had singled out approximately 300 “fanatic Communists.³ Those designated as such were tattooed by means of a metal plate with interchangeable needles attached to it; the plate was impressed into the flesh on the left side of their chests and then dye was rubbed into the wound. The tattoo read AU (for Auschwitz) followed by a number. Other Soviet prisonersofwar had their Identification numbers written on their chests with indelible ink, but this wore off too quickly.4 Thus tattooing of most Soviet prisonersofwar was eventually implemented. Circumstantial evidence indicates that tattooing of prisoners was not systematically implemented in Auschwitz in 1941.

On November 11, 1941, the Polish national holiday, the camp authorities executed 151 prisoners in Auschwitz. Prior to execution, the prisoner’s number was written on either his chest (if he were to be shot at close range) or his leg (if he were to be shot by firing squad). The socalled camp infirmary had also adopted the practice of writing a prisoner’s number on his chest.5

As the number of prisoners brought to the expanding Auschwitz complex rose, so did the death rate. But if a corpse were separated from its uniform, identification was rendered all but impossible. With often hundreds of prisoners dying per day, other methods of identification were needed. In Birkenau, the method used to tattoo the Soviet prisoners of war was implemented for emaciated prisoners whose deaths were imminent; the tattoos were later made with pen and ink on the upper left forearm. By 1942, Jews had become the predominant group represented at Auschwitz. They were tattooed based on numbers in the regular series until 1944; their numbers were preceded by a triangle, most likely to identify them as Jews.

By spring of 1943 most of the prisoners were being tattooed, even those who had been registered previously. There were, however, notable exceptions. Ethnic Germans, reeducation prisoners, police prisoners, and inmates selected for immediate extermination were not tattooed.

While it cannot be determined with absolute certainty, it seems that tattooing was implemented mainly for ease of identification whether in the case of death or escape; the practice continued until the last days of Auschwitz.

Notes

*Polizeihäftlinge is a general term that may be used to indicate anyone arrested by the Gestapo. These prisoners may have been socalled career criminals (Befristeter Vorbeugungshäftlinge, also known in camp jargon as Berufsverbrecher), protective prisoners (Schutzhäfilinge), or reeducation prisoners (Erziehungshäftlinge).

¹Piper, Franciszek and Teresa ¥wiebocka, eds. (trans. Douglas Selvage), Auschwitz Nazi Death Camp (O¥wiecim The AuschwitzBirkenau State Museum in Oswiecim, 1996), p. 62.

²lbid ., p. 66.

³Czech, Danuta, Auschwitz Chronicle 19391945 (New York: Henry Holt and Co., 1990), p. 102.

4Klarsfeld, Serge, ed., Les matricules tatoues des camps d’AuschwitzBirkenau (Beate Klarsfeld Foundation), p. 27.

5Council for the Protection of Monuments of Struggle and Martyrdom (trans. lain W. M. Taylor), Auschwitz: Nazi Extermination Camp (Warsaw: Interpress, 1985), p. 54.

Source: Center for Holocaust and Genocide Studies

Lew Alberts First Jewish Electric Tattoo Artist
By Joshua Andrews
Publisher
Jewish Mayhem
http://www.jewishmayhem.com

Part I of II

Lew Alberts First Jewish Electric Tattoo ArtistLocated in the rough and seedy part of New York City known as the Bowery District in early 1909, was a modest sized tattoo studio at #11 Chatham Street. On almost any given night of the week and well into the early mornings, one would find the studio’s lights on and its doors open for business, with the signature buzzing sound of electric tattoo machines filling the air.

Now, this was not just any ordinary turn of the century, busy tattoo studio. #11 Chatham Street was the legendary tattoo studio that once belonged to Irish-American Samuel F. O’Reilly. Who was Samuel F. O’Reilly? Well, he was the inventor of the modern electric tattoo machine and the first supplier of tattoo supplies. Back in 1891, O’Reilly ingeniously took a Thomas Edison design for an 1870’s model stencil maker, and converted it to the first working electrictattoo machine.

The owner and operator of the #11 Chatham Street tattoo studio in 1909, was the master tattoo artist German-American Charlie Wagner, Samuel F. O’Reilly’s protégé. O’Reilly had died from an accidental fall a year earlier and left histattoo machine patent, his #11 Chatham Street tattoo studio and his tattoo supply business to his close friend and student, Charlie. After O’Reilly’s death, Wagner pretty much worked alone, occasionally hiring someone to help out in the shop until he grew tired of him.

By early 1909, Wagner was so busy with clients that he resigned himself to the fact that he really needed another tattoo artist working along side him to offset the tremendous pressure of waiting clients. The problem was that Wagner was very particular as to who he would teach the tricks of the trade and who he wanted as company, day in and day out, from the early afternoon, until the early morning.

As fate would have it, a young un-tattooed, street smart second generation American Hebrew lad by the name of Lew Alberts was out and about looking for work at that time. Lew Alberts was a very talented artist who had previously worked as a wallpaper designer for a large company until he was laid off for unknown reasons.

Lew Alberts First Jewish Electric Tattoo ArtistThe story goes as follows: one day, Lew was wandering in the Bowery District and happened to walk by the #11 Chatham St. tattoo parlor. Fascinated, he entered into Wagner’s studio, which happened to be at the right moment because he was able to have a good uninterrupted chat with Charlie. This was rare because Charlie was almost always busy with customers or visitors.

Charlie got along with Lew exceptionally well and since Lew mentioned that he was looking for work, Charlie offered him a part time job doing all sorts of chores in the tattoo studio. The job was on condition that if things worked out well between them, he would accept Lew as an apprentice tattoo artist and teach Lew everything about tattooing and the business.

Lew started working in #11 Chatham that very day and one of the chores Lew was to do was to draw some new tattoo designs for Charlie. Using his experience as awallpaper designer and a graphic artist, Lew drew original design after design, which simply blew Charlie way. Charlie immediately saw that Lew had an incredible talent for tattoo art. So impressed he was with Lew that within the next few days, Charlie gave Lew a rudimentary explanation of thetattoo machine and how it works and how to tattoo people with it and allowed Lew to tattoo one of the customers with it.

Lew took to electric tattooing immediately and became the first Hebrew tattoo artist in modern history.

Part II will be in the next issue

Copyright

Jewish Mayhem

2005-2009 All rights reserved

Tattoo: The Word

By Joshua Andrews

According to scientists, the art of tattooing has been practiced by humans for at least 5000 years if not even longer . During that massive span of time, many vastly different cultures and peoples and ethnicity’s were familiar with tattoos and tattooing but what and how most of the world’s cultures used to refer to tattooing throughout history are lost to us because veritably nothing survived the test of time.

The Jewish  Torah scroll (Heb. Instruction), also known as The Five Books Of Moses, is as far as I know the oldest document in the world that specifically refers to tattoos with a specific and special word. The oldest physical Torah is found among the legendary Dead Sea Scrolls, which were written at various times between the middle of the 2nd century BCE and the 1st century CE. The Torah itself according to Jewish history, dates to approximately 1500 BCE, to the event at Mount Sinai known as  Matan Torah (Giving of the Torah).
“Ye shall not make any cuttings in your flesh for the dead, nor tattoo any marks upon you: I am the LORD.”
Vayikra 19:28 (Leviticus 19:28)

Here is the Hebrew for Leviticus, which is read from right to left. The Hebrew word for tattoo is I believe, the oldest known name or word for tattooing that can be verified but hopefully one of you readers can confirm this or provide a source to contradict this.

leviticus 19:28
leviticus 19:28

Today, the name of the profession or person who inserts the ink into someone’s skin is Tattooist, which is short for Tattoo Artist, either term is correct. The term tattooer, is not correct nor should it be used, it also just sounds kinda wrong.

The tool that is used to do tattoos with is called a tattoo machine. It is not called a tattoo gun, nor is it reffered to simply, as a gun. Guns shoot projectiles, tattoo machines create art, and if someone will ever shoot you, it will not be from any sort of model of tattoo machine that I have ever heard of.

Tattoos and Taps?

The Dutch word tap’toe was a common word or verbal command, that was used in the middle ages for lights out. It was the call for soldiers to go to sleep, patrons to leave the pubs, and taverns to close their doors. tap’toe was usually done by a bugler or drumsman playing. The word tap’toe was eventually anglicized into the word tattoo, which then came to mean the military musicians that accompanied forces into battle.

Today, any marching band is often also called a Tattoo. It was also from the Dutch word tap’toe, that the English word Taps, the US military song’s name and concept originated from. So until 1771, the word “tattoo” was the word used to refer “a military band” and the word for body art was stigmatas, or stigmas, stigma, or pict.

In 1771, Captain James Cook and the Botanist Sir Joseph Banks, returned to England from an extensive trip to the South Pacific on Cook’s ship the Endeavor. Their return was heralded as a great success at exploration and global circumnavigation and they certainly did not disappoint anyone with anything less than with fabulous, exotic chronicles about many things, including the inhabitants of these far away islands (Samoa, Polynesia) who had extensive permanent body markings called tataus. This was the first mention of body art in England for many hundreds of years, since the Norman conquest.

Until the actual invention of electric tattooing machine, tattooing was done manually by hand. It was performed by the tattooist dipping a needle or a group of needles into an ink and then poking the needle/s into the skin of the recipient of the tattoo, to create the tattoo. In those days, the tattoo artist, was not known as or called a tattoo artist, nor tattooist. Remember, tattoos were not known as tattoos.  Since the act of creating the tattoo was more similar to poking or pricking, that is exactly what they called tattooing and tattoo artists then; Pricking and Prickers.

It wasn’t too long thereafter when the word tautau became commonly pronounced, or mis-pronounced as tattoo, and that is the simple reason how and why permanent images on the skin, are known as tattoos today, but the terms pricking and Pricker, stayed until the invemtion of the electric tattooing machine. Since then, many attempts have been made to repackage the word tattooing with terms such as with derma-graphics for example, based upon the Greek word derma, meaning skin, picto-graphs is another, but all of the attempts have failed because the word, tattoo, is so entrenched in the English language lexicon.

Leviticus 19:28

BIBLE Tattoo

BIBLE Tattoo

Do not cut your bodies for the dead or put tattoo marks on yourselves. I am the LORD.

DAVID BECKHAM’S HEBREW TATTOOS

By Ben Mordechai

David Robert Joseph Beckham David Robert Joseph Beckham was born May 2, 1975 in Leytonstone, East London, the son of Ted Beckham, a kitchen fitter and Sandra West, a hairdresser. David had numerous tattoos on his body before he planned to have something Judaic tattooed. Why? Because David Beckham’s maternal grandfather Joseph West, his mother Sandra’s father, is Jewish, and David has been quoted as saying numerous times about how the Jewish side to his family and it’s Jewish culture has had a positive influence on him; however, he is not known to actively practice Judaism or any other faith for that matter.

In his autobiography called My World, which was serialised in OK! Magazine, David was quoted as saying; “I’ve probably had more contact with Judaism than with any other religion. He also said that he has been to synagogue on a number of occasions. “I used to wear the traditional Jewish skullcaps when I was younger, and I also went along to some Jewish weddings with my grandfather.” More recently, in David’s autobiography My Side, he revealed that his father Ted also had a Jewish link, albeit a footballing one, as he used to play semi-professionally for Wingate Finchley.

Whether or not his decision to get the Hebrew was a tribute to his mother or to his grandfather or just to his general Jewish lineage in general we do not know, but in July of 2005 Mr. and Mrs. Beckham travelled to Singapore for their 6th wedding anniversary and at some point either before, during, or after their arrival there, they decided to mark their anniversary by getting the same Hebrew script lettering tattoos done on their bodies but in different locations.

Their choice was a verse from the Song of Songs written by the mighty and wise Jewish King Shlomo HaMelech (King Solomon), “Ani LeDodi Ve’Dodi Li harea shoshaneem” which translates to: “I am my beloved’s, and my beloved is mine, who grazes among the roses.”

The reason why he chose the verse is in his own words and bein that it was their aniversary explains why Victoria also had it done, “… I’m a quarter Jewish and I decided to have Hebrew on my arms. When Jewish people get married they have this wording around their wedding ring….”
Source: David beckham in an interview to the Sunday Mirror and printed 14 May 2006

About the song of songs

King Shlomo wrote the Song of Songs as an allegory of the relationship between the Creator and the nation of Israel, in terms of the love between a man and a woman. It is recited on“Pesach (Passover) the Holiday that celebrates the liberation of the Jewish People from their slavery in Egypt and their oddesy to claim their birthright, the land of Israel.

According to Jewish Biblical Sage RASHI, the Megilah (Scroll) is the mashal (allegory) of a young and beautiful woman who becomes engaged to and then marries a king. But very soon after the marriage, she is unfaithful to him, causing him to send her away, into the status of “living widowhood,” meaning she is “as if” a widow, although her husband is still alive. But his love for her remains strong, and he watches over her at all times, from behind the scenes, to protect her. And when she resolves to return to him, and be faithful to him, he will take her back, with a love that is fully restored.

###END###
18615 728x90 DAVID BECKHAMS HEBREW TATTOOS

Hebrew Lettering Tattoo Design Tattoos are more popular now than ever before. The popularity of tattoos is been driven by their prevalence and their portrayal in the media. One of the many types of tattoos to become popular has been Hebrew lettering tattoos.

Hebrew lettering tattoos really became popular and even fashionable when the world famous couple of David Bekham and his wife Victoria Posh Spice Bekham got matching Hebrew lettering tattoos. They chose the classical and romantic Biblical expression from King Solomon’s Song of Songs: I am for my beloved and my beloved is for me. It wasn’t too long after the Bekhams that other world famous pop icons were wearing Hebrew tattoos like Madonna, Britney Spears and Christina Aguilera.

Their are many different reasons as to why people choose Hebrew lettering tattoos, some choose Hebrew because of a deep spiritual connection, other are motivated by love, faith, or courage.

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Yehoshua Ben Mordechai

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